November 25, 2022
Interviews
Interviews
WINDOWS96 - Interview

I don't remember that much about making the album...

November 21, 2022
Interviews
Interviews
BYE2 - Interview

The concept for reverse nightmare tower was actually inspired by my friend who sent me an unpublished script/rough draft idea for a game/visual novel style thingy he was making...

November 17, 2022
Interviews
Interviews
NEUPINK - Interview

Neupink is my tiny little noise rock slash digital punk slash diy slash whatever-I-feel-like-doing project that aims to explore whatever intense soundscapes I feel like

November 7, 2022
Interviews
Interviews
OTAY:ONII - Interview

I drew two paintings, all of which were in an attempt to portray the scissors cutting through a flesh...

November 7, 2022
Interviews
Interviews
ARGO NUFF - Interview

I wanted it to feel like how the internet feels to navigate, so the variety of sounds is very reflective of that...

November 1, 2022
Interviews
Interviews
MURRUMUR - Interview

Over-classifying genres is incredibly interesting to me, although I greatly prefer creation of new terms instead of listing several things consecutively...

October 29, 2022
Interviews
Interviews
INNER WAVE - Interview

Shadow work is v important work for understanding who you are. There’s the question are humans born good or evil...

October 21, 2022
Interviews
Interviews
ANTHONY1 - Interview

I think internet is the influence that has the most inspiration, saturation of information is something I love and try to replicate on my music...

October 18, 2022
Interviews
Interviews
WINDOWSHOPPING - Interview

Windowshopping is me fucking around on Ableton in my bedroom hoping to cultivate a large and expansive enough discography to warrant people writing dozen paragraph-long essays in RateYourMusic comment sections.

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CLIPSE - CAMP FLOG GNAW (2023)

Their most notable release, 'Hell Hath No Fury,' is an often overlooked project in the modern rap landscape, but it absolutely deserves your attention...

Events
Events
BABii - Interview

With any record I make, I am usually just trying to capture a vibe that's a mix of memories, unaddressed problems in my head, things that I like and then me trying to present them in an unusual way...

Interviews
Interviews
SOUND OF CERES - Interview

We knew we wanted to create a mythological world for both ourselves and our audience to play in while listening...

Interviews
Interviews
KITTY - Interview

Basically, I wanted to live inside of trance music, so I wrote down my toxic feelings and bathed them all in sounds that felt like healing. There are dozens of horror stories in those lyrics and when I perform the songs I often want to cry, sometimes I do...

Interviews
Interviews
ACID SOULJAH - Interview

I try to be authentic and not present myself in a way that’s not relatable for supporters, being authentic to myself and kind to the people who support me has gotten me where I’m at and I’m super grateful for everyone who listens.

Interviews
Interviews
ALEPH - Interview

I had all these strange pieces of audio, from conversations w/ my friends, snippets of old medical films, warped acoustic noise, and chaotic synthesized recordings, and they all struck me a certain way...

Interviews
Interviews
NILE RODGERS & CHIC - Red Rocks

Nile has credits on Daft Punk's 'Get Lucky,' Madonna's 'Like a Virgin,' and 'Let's Dance,' by David Bowie, which doesn't even scratch the surface of his thousands of credits...

Events
Events
LOBSTERFIGHT - Interview

Jokes aside; the name "Lobsterfight" unfortunately has no actual meaning or interesting place of origin I'd have to admit. I came up with it randomly during my criminology class...

Interviews
Interviews
JACOB MOORE - Interview

Right now, the norm is for labels to make decisions based on data. And they've all got access to more data than ever before, so it turns into a science. They look at the trajectory of streaming numbers and social media followings, and they avoid artist development...

Interviews
Interviews
S3RL - Interview

I’ve been lucky that I’ve always had more ideas for music than time to produce them all, so in the beginning, it was easy. I was releasing 15-20 tracks a year, and labels were eating them up...

Interviews
Interviews

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