You thought we were done with just astrxl.awards this year? Nah we had to step that s*** up...
Again, like last year, this is my neurodivergent, smooth-brain Zoomer opinion, so if you don't like my picks, I can't help you (and you don't like good music)...
When making my channel my main goal was and still is to make music fun. And I like to think I’m working towards that with every video...
During the 2020 quarantine year I spent a lot of time indoors only listening to music and chatting with people on forums and Discord...
Ngủ ngày ngay ngày tận thế (we shorthand it as N4T2) is sort of the culmination of what was the past 3 years (2017-2020) because of how we record our work...
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Obviously, it is much easier to keep in touch, exchange files and information. But nothing compares to the real organic work. That’s where the magic begins and it’s impossible to achieve it through the synthetic connection. Especially when the music is spontaneous and interactive...
The sense of community around during the festival was striking, given the dystopian nature of the early pandemic...
Tracking so many artists in the mainstream + underground it’s blatantly obvious who is going to blow up in the mainstream...
The intro to the set was one of my favorites I've ever seen and it is going to stick with me for months I am sure.
I think more than anything, me making music came purely from expression. All growing up I was definitely not an artist or anything like that. It was more of a recent thing...
Jokes aside; the name "Lobsterfight" unfortunately has no actual meaning or interesting place of origin I'd have to admit. I came up with it randomly during my criminology class...
Basically, I wanted to live inside of trance music, so I wrote down my toxic feelings and bathed them all in sounds that felt like healing. There are dozens of horror stories in those lyrics and when I perform the songs I often want to cry, sometimes I do...
