El Perro del Mar is merely an extension of me that enables me to do and say the things which I find hard to express in daily life. I’ve been using the name since 2004 when I came across a stray dog on a Spanish beach...
It's three of my characters, Enth, Ila, and Izi, trying to figure out where they are through a fog in the middle of nowhere...
It’s a lot to ask nowadays, but we’d love for people to listen to the record as a whole since we made it with the intention of flowing like in full from start to finish.
I think more than anything, me making music came purely from expression. All growing up I was definitely not an artist or anything like that. It was more of a recent thing...
I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...
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Obviously, it is much easier to keep in touch, exchange files and information. But nothing compares to the real organic work. That’s where the magic begins and it’s impossible to achieve it through the synthetic connection. Especially when the music is spontaneous and interactive...
The role that labels used to play pre-internet adoption had much more to do with building up an artist, and getting them to where they need to be to become superstars. Today, the artist builds themselves up on their own...
You enter this wormhole, the room disappears and you're thrown into a bunch of patterns, and stuff like that. There wasn't a lot of color...
Nearly every Thursday night, we would park our cars at Comps and have a listening party for which ever rap album we chose to listen to when the clock struck midnight...
Neupink is my tiny little noise rock slash digital punk slash diy slash whatever-I-feel-like-doing project that aims to explore whatever intense soundscapes I feel like
I’ve always wanted to make my own music purposeful in luring the listener either further into themselves or conversely, further beyond themselves...
No matter what type of art you produce, you can learn from the past, and there may be aesthetics you cannot reproduce on modern digital software...
Let’s see we’ve got: hot pink bitch named breakfast, crazy frog, king palms, tetris, thembofication, sophie is god, cringe comps, poggers, poppers, frogger, früh, nightcore-beyonce, vineyard vines, maroon 5...
I dunno if they directly influence the music, but I just really like videogames. Also our fanbase is 98% gamer...
Jokes aside; the name "Lobsterfight" unfortunately has no actual meaning or interesting place of origin I'd have to admit. I came up with it randomly during my criminology class...
夢の砂漠 explores a lot of feelings I’ve been having over the past year - mostly a lot of self-exploration and I wanted to convey this a long and ethereal album so that other people can travel through the ‘dream desert’ and explore all of these intense feelings themselves...
The concept for reverse nightmare tower was actually inspired by my friend who sent me an unpublished script/rough draft idea for a game/visual novel style thingy he was making...
The lead singers aesthetic was particularly unique with a short mohawk and large trench coat - seeming like a spirit guide on the astral planes...
I think of this song as a journey that started with a love folk song that somehow turned a different direction into something more mysterious and beautiful that even I can't explain very well...