I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...

Originally, it was just cool imagery. We found this vintage bunny on eBay, and it became a studio mascot. Then we said we should just make it the album cover because it's been through the whole ride.

It was amazing to witness not only how skilled of a vocalist Masego was, but also his talents as a dancer and entertainer.

I thought it'd be funny to try and partner up with Whooshh Innovations and promote how they are improving the lives of Salmon and the people who eat their flesh. They haven't cut me a check, but maybe they bought an album or two, so whatever.

The lead singers aesthetic was particularly unique with a short mohawk and large trench coat - seeming like a spirit guide on the astral planes...

Their visual imagery on album art is some of my favourite in the underground scene, with 'Shrines' depicting an NYPD officer grappling down the side of a building in Harlem looking into a window at a 425-pound tiger...

I think of this song as a journey that started with a love folk song that somehow turned a different direction into something more mysterious and beautiful that even I can't explain very well...

Navigating darkness isn’t easy but we can’t have light without dark. We all go through devastating times, trauma, heartbreak...

You thought we were done with just astrxl.awards this year? Nah we had to step that s*** up...

Honestly, for this one, I don't have a ton aside from...