ADA ROOK - Interview

I hate narratives, messages, and themes, so this album is completely hollow. There is absolutely nothing inside of it...

STABSCOTCH - Interview

You, as ur future self is called, tells you that they are on vacation (you explain that rather than just simply travel to different places in the world, people from their time travel to other time periods)...

KFC MURDER CHICKS - Interview

KEEP FIGHTING FOR CHANGE. KILL YOUR FRIENDS AND COWORKERS...

JACOB MOORE - Interview

Right now, the norm is for labels to make decisions based on data. And they've all got access to more data than ever before, so it turns into a science. They look at the trajectory of streaming numbers and social media followings, and they avoid artist development...

RUFF CRIMINAL - Interview

Name credit goes to the Wu-Tang Name Generator (the same one that named Donald Glover “Childish Gambino)...

ME OH MYRIORAMA - Interview

There's a lot of concern about fame and popularity within consumer culture in Superflat, and I believe these are often domains of extreme levels of toxic objectification...

YUNG SKRRT - Interview

I manically decided to go to McDonalds, went on Instagram live and was just screaming the idea over and over, got back home still live and recorded it all to a click track, no beat, then made the beat after. A crazy moment that everyone from Anthony Fantano, to T-Pain, to Knxwledge reacted to and enjoyed thoroughly...

RẮN CẠP ĐUÔI - Interview

Ngủ ngày ngay ngày tận thế (we shorthand it as N4T2) is sort of the culmination of what was the past 3 years (2017-2020) because of how we record our work...

FAX GANG - Interview

The sound selection in some of the instrumentals were really unique and haven’t heard anything like it in some of the previous projects like space requiem, spiral, and four walls. shellboy has some new style melodies/flows on this project that i haven’t heard them use before like on no evil and guardian angel...

AMBIVALENCE
ASTRXL AWARDS
UNIVERSAL EXPRESSIONS
ETHEREAL.PRESS

RANDOM

SIGNED.TRADE - Interview

The role that labels used to play pre-internet adoption had much more to do with building up an artist, and getting them to where they need to be to become superstars. Today, the artist builds themselves up on their own...

Interviews
Interviews
DEALERS OF GOD - Interview

I think we all assembled by sheer proximity, the sheer desire to partake in a lot of substances, needing one core activity to tie us all together...

Interviews
Interviews
FACES OF THE FESTIVAL - Chasing Summer

Walking around a music festival with a camera is always an experience...

Events
Events
BENNY SINGS - Interview

I started out making hip-hop beats and sing a lullaby songs on those beats in my bedroom from 1999 to 2001 - I would say I am one of the first to make music in my bedroom...

Interviews
Interviews
ISOxo - Interview

That was definitely one of the most fulfilling sets I've ever done. I cannot thank my fans enough for the support, it felt like the energy was nonstop throughout both nights I played there...

Interviews
Interviews
DOM DOLLA - Red Rocks

A set so good it made me a fan of house music (which I thought was impossible).

Events
Events
NIGHT LOVELL - Lethal Presence

Night Lovell has developed a signature sound within the rap genre with his dark, atmospheric production - layered with his baritone vocals...

Events
Events
PHASES - (000-002)

Are you ready to start this journey?

Etc.
Etc.
FKJ - Red Rocks

Center stage were several instruments, including guitars, keyboards, synths, sequencers, and much more. Seamlessly, FKJ flowed between all of these inputs, performing in a unique/multi-faceted set.

Events
Events
SPRAIN - Interview

Our band was formed in 2018 and has been slowly falling apart ever since. We started off playing very shitty music and have been getting slightly better with each release...

Interviews
Interviews

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