El Perro del Mar is merely an extension of me that enables me to do and say the things which I find hard to express in daily life. I’ve been using the name since 2004 when I came across a stray dog on a Spanish beach...
It's three of my characters, Enth, Ila, and Izi, trying to figure out where they are through a fog in the middle of nowhere...
It’s a lot to ask nowadays, but we’d love for people to listen to the record as a whole since we made it with the intention of flowing like in full from start to finish.
I think more than anything, me making music came purely from expression. All growing up I was definitely not an artist or anything like that. It was more of a recent thing...
I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...
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Obviously, it is much easier to keep in touch, exchange files and information. But nothing compares to the real organic work. That’s where the magic begins and it’s impossible to achieve it through the synthetic connection. Especially when the music is spontaneous and interactive...
The role that labels used to play pre-internet adoption had much more to do with building up an artist, and getting them to where they need to be to become superstars. Today, the artist builds themselves up on their own...
You enter this wormhole, the room disappears and you're thrown into a bunch of patterns, and stuff like that. There wasn't a lot of color...
Nearly every Thursday night, we would park our cars at Comps and have a listening party for which ever rap album we chose to listen to when the clock struck midnight...
The first computer I ever had the chance of using was my family's HP Compaq DC7100 running Windows XP and that clean yet primitive UI design had a very big impact on me...
Shadow work is v important work for understanding who you are. There’s the question are humans born good or evil...
There's a lot of concern about fame and popularity within consumer culture in Superflat, and I believe these are often domains of extreme levels of toxic objectification...
Throughout the album, different subjects are tackled such as the spirit of competition, industrialization, the destruction of our ecosystems etc...
Jokes aside; the name "Lobsterfight" unfortunately has no actual meaning or interesting place of origin I'd have to admit. I came up with it randomly during my criminology class...
Peace simply is a gesture of love...
I think more than anything, me making music came purely from expression. All growing up I was definitely not an artist or anything like that. It was more of a recent thing...
Obviously, it is much easier to keep in touch, exchange files and information. But nothing compares to the real organic work. That’s where the magic begins and it’s impossible to achieve it through the synthetic connection. Especially when the music is spontaneous and interactive...
Their visual imagery on album art is some of my favourite in the underground scene, with 'Shrines' depicting an NYPD officer grappling down the side of a building in Harlem looking into a window at a 425-pound tiger...
Right now, the norm is for labels to make decisions based on data. And they've all got access to more data than ever before, so it turns into a science. They look at the trajectory of streaming numbers and social media followings, and they avoid artist development...