RANDOM

KEEP FIGHTING FOR CHANGE. KILL YOUR FRIENDS AND COWORKERS...

Center stage were several instruments, including guitars, keyboards, synths, sequencers, and much more. Seamlessly, FKJ flowed between all of these inputs, performing in a unique/multi-faceted set.

Obviously, it is much easier to keep in touch, exchange files and information. But nothing compares to the real organic work. That’s where the magic begins and it’s impossible to achieve it through the synthetic connection. Especially when the music is spontaneous and interactive...

I had all these strange pieces of audio, from conversations w/ my friends, snippets of old medical films, warped acoustic noise, and chaotic synthesized recordings, and they all struck me a certain way...

I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...

All the guys were super humble/kind and had the energy of people you want to be around...

It’s supposed to be a freeing genre so I don’t think a personal description would do it justice...

Admittedly this was my third time seeing Zedd...

The lead singers aesthetic was particularly unique with a short mohawk and large trench coat - seeming like a spirit guide on the astral planes...

Tyler’s stage set modeled that of a junkyard with stacked cars and a crane dangling over his automobile perch. The LED background was filled with different scenes depicting a constant evolution of set and setting...