RANDOM

I try to be authentic and not present myself in a way that’s not relatable for supporters, being authentic to myself and kind to the people who support me has gotten me where I’m at and I’m super grateful for everyone who listens.

We knew we wanted to create a mythological world for both ourselves and our audience to play in while listening...

Well, a lot of people think of ambient music as some kind of background music or something relaxing to help you sleep. I understand, although for me it has nothing to do with that...

With any record I make, I am usually just trying to capture a vibe that's a mix of memories, unaddressed problems in my head, things that I like and then me trying to present them in an unusual way...

I’m going to keep doing what I’m doing. And maybe I will make that apple pie after all...

I guess I was looking for different and fresh ways to write songs because I was a bit too used to writing in a specific way and wanted to shake things up...

Center stage were several instruments, including guitars, keyboards, synths, sequencers, and much more. Seamlessly, FKJ flowed between all of these inputs, performing in a unique/multi-faceted set.

夢の砂漠 explores a lot of feelings I’ve been having over the past year - mostly a lot of self-exploration and I wanted to convey this a long and ethereal album so that other people can travel through the ‘dream desert’ and explore all of these intense feelings themselves...

Their most notable release, 'Hell Hath No Fury,' is an often overlooked project in the modern rap landscape, but it absolutely deserves your attention...

things often kinda vaguely float in my head still, so it's hard to promise anything...