DIRT BIRD is a big reason why PREHISTORY exists. The popularity of that record, and specifically of WIGGLECORE as a meme, has sort of been eating away at me over time...

It’s supposed to be a freeing genre so I don’t think a personal description would do it justice...
Harbor, in hindsight it was a collage of beats I had laying around in my harddrive, ram packet into a 12'' record. No idea or thought behind it...
If pain's living on when your body's long gone - And your phantom regret hasn't let it go yet - You may not have died in the way that you must - All specters are haunted by their own lack of trust - When you're all out of time, there's nothing but space..
During the 2020 quarantine year I spent a lot of time indoors only listening to music and chatting with people on forums and Discord...
Underground Oddities is a YouTube channel that I made as a way to showcase who I think are the most creative and interesting artists working in the underground music scene...
Zguba is dead and buried, never to resurface with a full-fledged release...
Well, a lot of people think of ambient music as some kind of background music or something relaxing to help you sleep. I understand, although for me it has nothing to do with that...
I thought it'd be funny to try and partner up with Whooshh Innovations and promote how they are improving the lives of Salmon and the people who eat their flesh. They haven't cut me a check, but maybe they bought an album or two, so whatever.
RANDOM

The sound selection in some of the instrumentals were really unique and haven’t heard anything like it in some of the previous projects like space requiem, spiral, and four walls. shellboy has some new style melodies/flows on this project that i haven’t heard them use before like on no evil and guardian angel...

CKay's 2019 release titled, 'Love Nwantiti (Ah Ah Ahh)' was the first African song in history to surpass 1 billion streams on Spotify and the track garnered a billion combined views in a single day on TikTok...

During the 2020 quarantine year I spent a lot of time indoors only listening to music and chatting with people on forums and Discord...

The live set echoed something out of a horror movie with Yeule’s various Junji Ito tattoos to LED backdrops looking like they surfaced from the gates of Hell...

Harbor, in hindsight it was a collage of beats I had laying around in my harddrive, ram packet into a 12'' record. No idea or thought behind it...

Basically, I wanted to live inside of trance music, so I wrote down my toxic feelings and bathed them all in sounds that felt like healing. There are dozens of horror stories in those lyrics and when I perform the songs I often want to cry, sometimes I do...

Each song in the album chronicles a different part of my life during that time, and ultimately captured the beginning and end of my first queer relationship - which inspired many lyrics in this album...

I try to be authentic and not present myself in a way that’s not relatable for supporters, being authentic to myself and kind to the people who support me has gotten me where I’m at and I’m super grateful for everyone who listens.