I drew two paintings, all of which were in an attempt to portray the scissors cutting through a flesh...

I wanted it to feel like how the internet feels to navigate, so the variety of sounds is very reflective of that...
Over-classifying genres is incredibly interesting to me, although I greatly prefer creation of new terms instead of listing several things consecutively...
Shadow work is v important work for understanding who you are. There’s the question are humans born good or evil...
I think internet is the influence that has the most inspiration, saturation of information is something I love and try to replicate on my music...
Windowshopping is me fucking around on Ableton in my bedroom hoping to cultivate a large and expansive enough discography to warrant people writing dozen paragraph-long essays in RateYourMusic comment sections.
Let’s see we’ve got: hot pink bitch named breakfast, crazy frog, king palms, tetris, thembofication, sophie is god, cringe comps, poggers, poppers, frogger, früh, nightcore-beyonce, vineyard vines, maroon 5...
The idea is, by observing and embodying distant pasts, to turn towards the music of the future...
Walking around a music festival with a camera is always an experience...
RANDOM

I try to be authentic and not present myself in a way that’s not relatable for supporters, being authentic to myself and kind to the people who support me has gotten me where I’m at and I’m super grateful for everyone who listens.

Mike Dean, the self-proclaimed 'synth goat,' is the producer behind some of the most impactful projects released in recent popular culture. His short list of credits includes Kid Cudi, Kanye, Travis Scott, Beyoncé, The Weeknd, and hundreds of others...

The live set echoed something out of a horror movie with Yeule’s various Junji Ito tattoos to LED backdrops looking like they surfaced from the gates of Hell...

I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...

I’ve been lucky that I’ve always had more ideas for music than time to produce them all, so in the beginning, it was easy. I was releasing 15-20 tracks a year, and labels were eating them up...














