I had no planned coverage until 4:00pm the first day to cover Paris Texas so my time was spent conversing with the other media members in attendance...

To say I was excited to see Tyler The Creator and Kendrick was an understatement...
My day started a bit earlier for day two - I headed in and immediately went to the merch stand to grab my buddy a shirt...
Tyler’s stage set modeled that of a junkyard with stacked cars and a crane dangling over his automobile perch. The LED background was filled with different scenes depicting a constant evolution of set and setting...
This show was on a Monday as well which I thought was funny that it was one of the most lit crowds I’ve seen this year...
After dropping the heartfelt track, 'Slow Dancing in The Dark,' it was apparent to myself and many others just how talented Joji was as an artist...
What the f*** do you mean - You don't wanna suck my nuts? What the f*** do you mean - You don't wanna suck my nuts?
Originally, it was just cool imagery. We found this vintage bunny on eBay, and it became a studio mascot. Then we said we should just make it the album cover because it's been through the whole ride.
Honestly, for this one, I don't have a ton aside from...
RANDOM

LMAO hell yea I got some crazy song titles I can go off on which ones are some of my favorite. It's gotta be Gentrify Water, J Train Cyberpolice, Kingdom Hearts In Bisexual Atlanta...

I figured it would look really cool since it was mixing something deadly as an RPG-7 with something cute like our puppies...

Well, a lot of people think of ambient music as some kind of background music or something relaxing to help you sleep. I understand, although for me it has nothing to do with that...

Neupink is my tiny little noise rock slash digital punk slash diy slash whatever-I-feel-like-doing project that aims to explore whatever intense soundscapes I feel like

You enter this wormhole, the room disappears and you're thrown into a bunch of patterns, and stuff like that. There wasn't a lot of color...

The role that labels used to play pre-internet adoption had much more to do with building up an artist, and getting them to where they need to be to become superstars. Today, the artist builds themselves up on their own...

The live set echoed something out of a horror movie with Yeule’s various Junji Ito tattoos to LED backdrops looking like they surfaced from the gates of Hell...

I’ve been lucky that I’ve always had more ideas for music than time to produce them all, so in the beginning, it was easy. I was releasing 15-20 tracks a year, and labels were eating them up...











