I dunno if they directly influence the music, but I just really like videogames. Also our fanbase is 98% gamer...

Kaytranada is a Canadian DJ with a comprehensive history of producing funk + R&B-infused tracks. His breakout album titled 99.9% (released in 2016) garnered substantial recognition for fusing house / R&B / funk aesthetics...
Basically, I wanted to live inside of trance music, so I wrote down my toxic feelings and bathed them all in sounds that felt like healing. There are dozens of horror stories in those lyrics and when I perform the songs I often want to cry, sometimes I do...
This is easily the tallest performer we have ever photographed...
I think of this song as a journey that started with a love folk song that somehow turned a different direction into something more mysterious and beautiful that even I can't explain very well...
Mike Dean, the self-proclaimed 'synth goat,' is the producer behind some of the most impactful projects released in recent popular culture. His short list of credits includes Kid Cudi, Kanye, Travis Scott, Beyoncé, The Weeknd, and hundreds of others...
With any record I make, I am usually just trying to capture a vibe that's a mix of memories, unaddressed problems in my head, things that I like and then me trying to present them in an unusual way...
Being a Tumblr scroller back when it was cool, I came across an archive of fm towns marty (a Japanese video game console)...
Dissection lesson was constructed with the unfiltered ideas & feelings on being transgender...
RANDOM

I drew two paintings, all of which were in an attempt to portray the scissors cutting through a flesh...

Ngủ ngày ngay ngày tận thế (we shorthand it as N4T2) is sort of the culmination of what was the past 3 years (2017-2020) because of how we record our work...

I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...

There's a lot of concern about fame and popularity within consumer culture in Superflat, and I believe these are often domains of extreme levels of toxic objectification...

Daniel's set had some of the most intense use of bass I’d ever experienced - being right next to the stage it shook my entire body. The others in the pit were looking at each out like ‘holy s***...’

The live set echoed something out of a horror movie with Yeule’s various Junji Ito tattoos to LED backdrops looking like they surfaced from the gates of Hell...

You enter this wormhole, the room disappears and you're thrown into a bunch of patterns, and stuff like that. There wasn't a lot of color...

The term rockstar is thrown around a lot, but in every sense she embodies that term in every conceivable metric...

Again, like last year, this is my neurodivergent, smooth-brain Zoomer opinion, so if you don't like my picks, I can't help you (and you don't like good music)...








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