I had no planned coverage until 4:00pm the first day to cover Paris Texas so my time was spent conversing with the other media members in attendance...

To say I was excited to see Tyler The Creator and Kendrick was an understatement...
My day started a bit earlier for day two - I headed in and immediately went to the merch stand to grab my buddy a shirt...
Tyler’s stage set modeled that of a junkyard with stacked cars and a crane dangling over his automobile perch. The LED background was filled with different scenes depicting a constant evolution of set and setting...
This show was on a Monday as well which I thought was funny that it was one of the most lit crowds I’ve seen this year...
After dropping the heartfelt track, 'Slow Dancing in The Dark,' it was apparent to myself and many others just how talented Joji was as an artist...
What the f*** do you mean - You don't wanna suck my nuts? What the f*** do you mean - You don't wanna suck my nuts?
Originally, it was just cool imagery. We found this vintage bunny on eBay, and it became a studio mascot. Then we said we should just make it the album cover because it's been through the whole ride.
Honestly, for this one, I don't have a ton aside from...
RANDOM

Neupink is my tiny little noise rock slash digital punk slash diy slash whatever-I-feel-like-doing project that aims to explore whatever intense soundscapes I feel like

Right now, the norm is for labels to make decisions based on data. And they've all got access to more data than ever before, so it turns into a science. They look at the trajectory of streaming numbers and social media followings, and they avoid artist development...

I knew that Jeff Rosenstock was going to have a good opener for his tour, so I decided to show up right as the doors opened. Small Crush was first to take stage...

I wanted it to feel like acceptance. Saying acceptance makes it feel a bit stiff, when really the vibe is like, f*** yeah everybody, hell yeah, and if you can’t get down with this, f*** off...

It’s a lot to ask nowadays, but we’d love for people to listen to the record as a whole since we made it with the intention of flowing like in full from start to finish.

Ngủ ngày ngay ngày tận thế (we shorthand it as N4T2) is sort of the culmination of what was the past 3 years (2017-2020) because of how we record our work...

We are four fully grown, real life human beings who like to make loud noises together and also share other common interests such as racing back to our day jobs the minute touring is over..

The sense of community around during the festival was striking, given the dystopian nature of the early pandemic...

Yeah, I converted three years ago. My grandfather converted in prison during his 44 year stint. It kinda just trickled down for me...










