RANDOM

The sound selection in some of the instrumentals were really unique and haven’t heard anything like it in some of the previous projects like space requiem, spiral, and four walls. shellboy has some new style melodies/flows on this project that i haven’t heard them use before like on no evil and guardian angel...

Right now, the norm is for labels to make decisions based on data. And they've all got access to more data than ever before, so it turns into a science. They look at the trajectory of streaming numbers and social media followings, and they avoid artist development...

Live Nation told me Daniel's first three songs of the set would be performed under a massive curtain. I knew this would be interesting...

things often kinda vaguely float in my head still, so it's hard to promise anything...

I think more than anything, me making music came purely from expression. All growing up I was definitely not an artist or anything like that. It was more of a recent thing...

Daniel's set had some of the most intense use of bass I’d ever experienced - being right next to the stage it shook my entire body. The others in the pit were looking at each out like ‘holy s***...’

I don't remember that much about making the album...

I don't know how I've gone this long without seeing Kendrick or Keem. I was supposed to photograph one of their shows back in Vancouver in 2022...

That was definitely one of the most fulfilling sets I've ever done. I cannot thank my fans enough for the support, it felt like the energy was nonstop throughout both nights I played there...

Over-classifying genres is incredibly interesting to me, although I greatly prefer creation of new terms instead of listing several things consecutively...